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Swanwick 2017

This was my 12th year at the Writers’ Summer School, generally just known as ‘Swanwick’. Why? Because it takes place each August in the Hayes Conference Centre, which is located in the Derbyshire village of Swanwick. My friend Cathy Grimmer was the Chairman this year and, with the help of her committee, did an excellent job. Nearly 300 writers were present during the week and almost a third were first timers.

The former gentleman’s residence has well kept and extensive grounds, including two lakes. The swans are no longer there, but there are plenty of fish. No swimming allowed, unfortunately.

Anyone wishing for solitude can generally find some.  

The area around the Main House, though, is generally thronged with writers in between sessions. We are, after all, there to work and learn. There’s no need to sign up for courses in advance and dipping in and out is allowed. This year, I attended part or all of the following: Writing Popular Fiction with Sue Moorcroft, both Script Writing and Life Writing (memoir) with Paul Dodgson, Short Stories with Della Galton, The Swanwick Standard (photo journalism) with Simon Hall, Writing Intimate Scenes with Liz Hurst, Grammar (and punctuation) with Geoff Parkes and Writing for Competitions with Ingrid Jendrzejewski.

Most evenings saw a speaker: Derbyshire crime writer Stephen Booth kicked us off and was followed by Sophie Hannah, doyenne of psychological crime fiction, children’s author Cathy Cassidy and the Golden Egg Academy’s Imogen Cooper. New for this year was ‘In Conversation With…’ in which Simon Hall grilled authors Sue Moorcroft, Jon Mayhew and Steve Hartley.

These two gallant gentlemen, window cleaner Eddie and head porter Steve agreed to be interviewed for my article in the Swanwick Standard. I chanced upon them when I was taking a break from heading a ‘Procrastination Free Day’ session and they provided me with a mine of information. My other ‘duties’ this year included being an ‘ambassador’ with the brief to look after new Swanwickers (White Badgers), run one of the guided tours of the site with Veronica Bright, co-host a dinner table on the first evening with Julia Pattison and the Prose Open Mic with Jennifer Wilson. 

 

That overlapped the Wild Wild West disco and, with no time to change in between, I helped Jen to run a tight ship (in my case, in a very tight costume). Participants, apart from the winners of the short story and writing for children competitions, were limited to five minutes each and I had an egg timer as well as my axe! Other entertainments include the Poetry Open Mic, Buskers’ Night and Swanwick Page to Stage performances. 

All too soon it was the last full day. The conscientious amongst us attended the AGM and everyone assembled on the lawn for the annual Dregs Party. That’s always an occasion for donning whatever finery could be squeezed into the luggage and polishing off left over drinks and/or snacks before going in for dinner.

Cameras clicked the whole time and many hugs were exchanged with friends old and new. Only the hilarious Swanwick Awards and Farewell remained, with another farewell the following morning as those departing by coach were waved off by the rest of us.

So, that’s it. Next year is the 70th anniversary of the Writers’ Summer School. Early booking from 1st February 2018 is strongly advised. If you’d like to join us, keep an eye on the website: www.swanwickwritersschool.org.uk

Here I am being interviewed. Skip to the two minute mark. When you’ve finished, don’t forget to take a look at the photo gallery underneath.

19 August, 2017 - There are 2 comments on this story

  1. The agenda for Swanwick was jam-packed full of exciting courses and events. Congratulations on managing to pack most of it into your short article. And thanks for including the video, which I hadn’t seen.

    Lance Greenfield Mitchell -

  2. Thank you, Lance. I’m already counting down the days to Swanwick 2018.

    Maggie Cobbett -

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