Hello, and thank you for visiting my site. I hope that you'll return often and always find something of interest about my world and what inspires me to pick up a pen. (This is a figure of speech, unfortunately. My handwriting is terrible!) Here's what I've been up to recently...

Workhouse Orphan is now available on audio!

It’s taken a while, but it’s finally here. (Scroll down to see the post about the recording.)

If you’re already familiar with the book, you’ll notice something different about the cover of the audio version. Yes, it’s square! That’s a requirement of ACX and involved quite a lot of jiggery pokery with the original.

A free sample is available to listen to on Audible and I do hope that it will stimulate bumper sales. You can find it by copying and pasting the following link: https://www.audible.co.uk/search?keywords=Maggie+Cobbett&ref=a_hp_t1_header_search

I also have a few free promotional credits to give away on a first come, first served basis. If you’d like one and would consider writing a review, please get in touch.

23 April, 2019 - Make the first comment on this story

Comment on this story

Basic HTML is allowed in comments. Avatars provided by Gravatar. Some posts may not appear immediately, and need to be manually approved - sorry for any delay.

Check Out My eBooks
Armed with a battered copy of Jack Kerouac’s On The Road, Maggie Cobbett crossed the USA by Greyhound bus during the chaotic summer of 1968. The distances were vast, her budget minimal, and anything seemed possible. From camp counselling in the Catskills to bagels for breakfast in the Bronx, her first sojourn in the States had it all.
Supporting artists, or ‘extras’ as they’re more commonly known, are the unsung heroes of television and film. Maggie Cobbett recalls the ups and downs of twenty years of ‘blending into the background’.
A working holiday in France for so little? “It sounds too good to be true,” says Daisy’s mother, but her warning falls on deaf ears.
Blog Categories
Links
Live From Twitter